“If You’re Feeling Sinister”: A Look Back

if-youre-feeling-sinister-belle-sebastianIn 1995, Stuart Murdoch’s life did not seem to be moving anywhere fast. The twenty-seven-year old Scotsman had been suffering for upwards of six years from the effects of myalgic encephalomyelitis, better known as chronic fatigue syndrome. Because his condition made even playing on the piano an exhausting endeavor, he was unable to find work.

Living in Glasgow on public assistance, Murdoch joined “beat box,” a government program for the unemployed. He would later compare it to a “refugee camp for unemployed musicians.” The unemployed took a music training course and played music together. Once a month they were given access to a recording studio.

It was here that Murdoch first connected with the people who would form Belle & Sebastian; and it was here in the summer of 1996 that they recorded what are now widely regarded as two of the best albums of the 1990s, Tigermilk and If You’re Feeling Sinister.

Though the beloved indie band has covered a range of genres in their nearly twenty-year career, from folk to shoegaze to chamber pop, and has stylistically referenced bands as disparate as The Left Banke and The Smiths, the elegiac wistfulness of If You’re Feeling Sinister has become their defining sound. Even after they gained renewed critical acclaim and an unprecedented level of public attention with The Life Pursuit (2006), a collection of irresistibly danceable power-pop anthems, critics and long-time fans rightly pointed to their earliest work as their magnum opus.

Writing and recording twenty songs in the space of a few weeks would be a career-worthy accomplishment for any band. But Belle & Sebastian went a step further, crafting songs that seem to have been whispered out of the ether, songs that don’t so much seem to have been written as captured.

Take, for example, the Satie-like simplicity of “Fox in the Snow.” With piano, guitar, violin, and vibraphone, the band conjures up a serenely autumnal world in which soft-hearted youth have fallen on hard times. For me the special gift of Belle & Sebastian, my all-time favorite band, has always been its ability to evoke the rhythms and changes of the seasons, using lyrics and music to engage the senses so fully that it really feels as though the listener is standing on a wintry street corner in Edinburgh.

Fox in the snow

Where do you go

To find something you can eat?

Cause the word out on the street is

You are starving

If the lyrics are precious, they’re also devastatingly effective, compressing whole years of hope and despair and angst into the space of a few verses. “Fox in the Snow” showcases what would become one of Belle & Sebastian’s hallmarks, their knack for writing realistic, sharply observed character sketches about people who are young and lost and very much in over their heads.

Just prior to the recording of If You’re Feeling Sinister, Stuart had moved into a bachelor flat above a church. There he worked in the parish hall and sang in the choir in between writing songs for the album.

“I always wanted to write about normal people doing normal things,” he recalls in a Pitchfork documentary about the making of the album. “Because I wasn’t normal, I was out of the game. It was very attractive to me what normal people were doing.” So he set out to write songs about the “normal” folks he ran into in the streets and on the buses of Glasgow, though his own sly perceptiveness was always winking through, creating vividly eccentric figures who are instantly recognizable and yet somehow bigger than life: a track star who was driven to fame by the lure of getting to wear terry underwear; Hilary, who’s into S & M and Bible studies; Judy, who walks the streets dreaming of horses.

Of the ten songs on this album, the penultimate song, “Boy Done Wrong Again,” is the weakest, a slow sleeper that saps much of the energy from an otherwise rollicking back half. Like Tigermilk before it, the album begins in minimalistic fashion, with only the quiet plucking of strings to accompany Murdoch’s voice. But as “Stars of Track and Field” progresses, the rest of the band gradually joins in, adding new instrumentation (organ, trumpets) layer upon layer, building slowly and progressively to a powerful conclusion that promises good things to come. “Seeing Other People” is a near-perfect evocation of early morning and the ambivalence of two people trying to let go of each other but not being able to. “Me and the Major” explores the unbridgeable gaps between classes and generations with lyrics that are both spirited and resentful: “We’re the younger generation / We grew up fast / All the others did drugs / They’re taking it out on us.”

In terms of pure atmosphere, the next two songs are probably the album’s high point. “Like Dylan in the Movies” recalls Murdoch’s experience of having to walk through Kelvingrove Park, a shady Glasgow park. The combination of guitar, strings, and xylophone powerfully evokes a sense of the year ending, of autumn, and twilight. “Dylan” is followed by the wintry and underrated “Fox in the Snow.” The placement of these two songs on the album, and their musical kinship, seem to suggest that one is a continuation of the other. It’s worth listening to the two back to back.

“Get Me Away From Here, I’m Dying” is a light rocker about a naïve young man. Musically it’s as good as anything on the album, but the lyrics are achingly, almost embarrassingly sentimental. “I always cry at endings,” Murdoch sings, and then, as if already regretting this exercise in vulnerability, adds in the next verse, “Oh, that wasn’t what I meant to say at all.”

However, the shortcomings of this song are more than offset by the eerie brilliance of the one following. If You’re Feeling Sinister’s title track is also the album’s standout, with a backing track of children playing and enigmatic lyrics that have been variously explained as a satire of organized religion and the final thoughts of two people preparing to kill themselves.

 

Finally, “Mayfly” is a jangly guitar ballad in the style of The Byrds, while “Judy and the Dream of Horses” closes the album in high spirits with an almost pure distillation of pop craftsmanship.

Not satisfied with the production quality of the original recording, Belle & Sebastian recorded a live performance in 2005 for All Tomorrow’s Parties. It’s worth hearing just to assess the differences between the two recordings—in 1995, the band was young and unproven, while in 2005 it was one of the most successful indie rock bands in the world. But the original is the reason for their breakout success, and it remains the better version of their best album.

“The Apocalypse Has Been Postponed Until Gym”: My Last Year of High School & the End of the World, Part 2

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Alvin High School, May 2004

On the night I returned home from a long trip at the end of January, I called Booth and he filled me in on what had happened in Alvin during the week I was gone.

Winter had taken over our high school. Friends were behaving differently, not like themselves at all. They were grumpy and depressed. They walked through the halls with scowls on their faces, barely lifting their heads to greet one another. Even the timid and pure were drinking, throwing wild parties, having sex. Booth had been invited to an orgy, but politely declined: he could see what the lure of sexual temptation was doing to the rest of his friends, and it scared him.

But the biggest changes of all had taken place in Brandon. He had injured himself playing soccer and was no longer sure he would be able to attend the school of his dreams. His teammates had held him down and shaved his head. Now he was bald and wore a hood all the time like a Sith lord.

And he hated me. “I hate Boze,” he told Booth. “And you’re turning into him!”

For much of the first half of the school year Booth had been skeptical of our prophetic encounters and the battle that Adriana and I both felt was coming to our campus. But now he was beginning to reconsider. He told me how Brandon had yelled at a girl and threatened her with a baseball bat because she took a kitten that he wanted. He related how Mr. McGowan had snapped in the middle of class and started running through the room with a pair of scissors, screaming and laughing.

“I walk through the halls in the mornings,” said Booth, “and all I can see are faces of despair. I look into their eyes, and there is no hope. One by one, it’s overtaking everyone.”

It was after midnight. Booth told me to hang on for a second and put down the phone. When he returned a moment later, there was a note of worry in his voice.

“I don’t know what that was,” he said. “There was this thing, this noise… I think it was coming from under my bed…”

And then, without any warning, he began yelling hysterically.

He took the phone and ran from the room. From the safety of the kitchen, clutching a knife, he explained to me what had happened. There was a heavy breathing sound, and at first he thought it was the cat. But the cat was in the other room, and the noise was getting louder, and closer…

When Booth’s parents found him sleeping in the hall the next morning, they grounded him. But it didn’t matter. He knew what he had heard that night, and for the first time all year we were unequivocally on the same side. Too long had the darkness lingered. It was time to take back our campus.

*           *           *

Over the Christmas holidays Blazes O’Reilly had returned home and summoned a council. Though I had not mentioned to him the specifics of Adriana’s prophecy, I told him I felt they needed to become better acquainted, so the three of us gathered one wintry night in a back room of his parents’ house.

The reception was not cordial. From the beginning of the meeting Adriana sensed a dark aura around Blazes, “the darkest I’ve ever seen.” At one point when he left the room to make tea, she confided, “My voices just told me not to trust him, because he’s been tempted”—an assertion that was seemingly affirmed a moment later when he returned and told her as much of his story as he had already told me. How could she possibly have known that? I wondered.

For his part, Blazes swore he could see spirits of deception circling around Adriana. “There were three of them,” he explained with a casual air. “They were each taking turns whispering lies in her ear.”

Oddly, though, Blazes couldn’t deny that he felt a strong sense of destiny about her. “I just have this feeling about her, like our fates are intertwined. Like we’re destined to fight to the death. Kind of like Lucifer and Gabriel, only I’m not sure which of us is which.”

Adriana was sure, though. “My voices have shown me,” she said, “that Blazes is the Antichrist!”

*           *           *

For my own part, God had revealed to me during the break that Lauren and I would be sexually tempted in the first week of March. Each of us who were called to be players in the end-time drama would be tempted by the end of the trimester. Whether we passed on to the next stage of our mission would depend on whether or not we passed the test.

As if to confirm my suspicions, my first week back on campus I was propositioned by a sweet blonde girl with a twangy East Texas accent and her best friend in gym class. They wanted to know if I would have a threesome with them. I reached into my tote bag and pulled out a copy of the most recent edition of the school newspaper, in which I had written a long article about the importance of saving yourself for marriage. They read the article with expressions of deep fascination and thanked me. I implored Booth not to tell anyone else, but the whole school knew before lunch.

As a result of some back-room finagling, I began giving a short message on the intercom every morning right after the Pledge of Allegiance. I urged the campus to pursue joy and beauty and resist the darkness that was seeking to devour. Together Booth and I wrote six pages in the next issue of the newspaper exclusively devoted to that subject. Booth even penned an article about the “Economics of Joy” in which he graphed the school’s GDP: “Good Deeds Potential”:

 

 GDP

 

I negotiated with Mr. McGowan to let me teach European History for an entire week. On Friday I announced that I had brought in a motivational speaker, Mr. “Ebenezer Scrooge” of Scrooge & Marley’s. The entire class groaned as Booth strode up to the front of the room. Then, as if out of nowhere, music began playing. Scrooge and I spontaneously broke into a dance and were joined by a guy in the third row who knew all the lyrics to the original song (from the 1970 Scrooge musical). For four and a half minutes we twirled around the room and sang about the pleasures of enjoying life:

 

Where there’s music and laughter

Happiness is rife!

Why?

Because I like life!

The entire class watched with mounting incredulity, and by the end of the song Lauren was in tears. “That was the most bizarre thing I’ve ever seen,” she said sadly. Booth and I sat quietly back down as though nothing had happened.

 

*           *           *

 

We waited for the first week of March, for the end of the second trimester.

 

I began having utterly terrifying dreams in which I seemed to be traveling out of my body at night and wandering through the rooms and halls of the trailer in which I lived. There were things in my bedroom I had never seen before. I heard footsteps in the hallway and saw strange lights outside my window.

 

I received my letter of acceptance from Southwestern University. I wondered if it was wise to go. I thought about staying in Alvin and fighting alongside my friends in the battle that was soon to come.

 

And then the trimester ended. We all settled into our new classes. And nothing happened.

 

There was no battle, no moment of tempting. Lauren started dating a guy she had met two weeks before. And I could feel the ground giving way beneath my feet.

 

*           *           *

 

On a quiet and warm afternoon near the end of that week, Booth, Adriana, and I sat facing Mr. McGowan from across the desk in his classroom. We were all disconsolate and hoped he could give us answers.

 

Adriana told the story of how she had nearly died the summer before, and how she began hearing the voices shortly after. Booth and I tried to explain all that had happened since Christmas, but it was clear from the moment we began talking that Mr. McGowan didn’t believe us. And by the time we related how Adriana learned that Blazes was the Antichrist, and how Blazes himself seemed to think that he was, and how we had briefly debated using physical force to try and subdue him, small beads of sweat were breaking out on the sides of his round face.

 

I watched him imploringly. I just wanted someone to explain what was going on. My prophetic gift had never been wrong before. Why had it failed me now, at the most critical time?

 

“First of all,” he said, in a very low and quiet voice, “what you’re going through is not unusual.”

 

I’m not sure what I had been expecting, but it wasn’t this. “Are you serious?” I asked.

 

He nodded. “For one, the three of you are reading from a shared text. Whenever three or four people read from a shared text, it’s not hard to induce shared delusions.

 

“Second, I think you’re scared. You’re scared because you’re about to graduate, Boze, and you two will be graduating in about a year. And you’re leaving the only home you’ve ever known, and that’s an incredibly traumatic experience. And it’s not uncommon for students who are juniors and seniors in high school to start having apocalyptic visions, because it’s their way of expressing kind of the terror they feel at the future.

 

“Because, let’s face it, the world may not be ending, but the only world you’ve ever known is ending. You know how they say, ‘You can’t go home again.’ You may come back in a few years, but the school that you knew will be gone. Reality won’t live up to your memories. When you go away to college, you’ll forget about me. And when you think about me at all, you’ll think of me as some sophomoric teacher who liked to pretend he knew everything. But I don’t. And some day you’ll realize that.”

 

My entire experience of the last eight months, all I had felt and foreseen and suffered, was slipping away. The apocalypse wasn’t going to happen, it might never happen, or else it had been postponed. But I was determined to hold on.

 

“What about all the others?” I asked. “We’re not the only ones. What about Blazes?”

 

Mr. McGowan shook his head. “There’s something very dark and unnatural about that man,” he said. “He went wrong somewhere… became something different than what God intended.”

 

He stood up summarily from his desk, as though to suggest that the meeting was over. Together the four of us walked to the door.

 

Booth turned in the doorway and faced him.

 

“I do have a question,” he said. “Was it you? Were you the one who orchestrated… you know, all of that?”

 

Mr. McGowan stared at him quizzically. “No,” he said with finality.

 

We waited. I looked at him, more confused than ever.

 

“Do you mean, was I pandering and manipulating you?” He laughed lightly. “Oh, of course.”

 

He clapped us both hard on the shoulders. “It was quite fun, actually. I’m honestly kind of sad it took y’all that long to figure it out. Your senses were picking up on stuff, but I was putting a spin on it. It’s good that you wanted an order to life, but you have to want it in order to see it. That’s why the super-sensible is so hard for empiricists to get.”

 

He closed the door behind us. Adriana and Booth and I walked forward into the harsh sunlight.

 

*           *           *

 

It’s been ten years since that conversation in Mr. McGowan’s room, but the course my life has taken since graduation has been in a lot of ways a vindication of his warnings. Sociologists tell us that conspiracy theories and apocalyptic thinking are deeply intertwined, and that wherever you find one, you’re likely to find the other. It’s a pathology in the American psyche, a sickness, this fascination with the end times. There’s something deeply un-Christian about it. It’s as though Jesus and the Bible have become nothing more than cultural totems with the power to drive us mad.

 

I’ve held on to my faith, but just barely. The realization that I was not a prophet was devastating, but what has been much worse is seeing the damage caused by End-Times fanaticism, the toll that it takes. I’ve seen it drive otherwise sane people to the brink of madness. I’ve watched it transform them until they were no longer recognizable, until they were willing to do the most horrible things to even their closest friends. I’ve seen it claim the life of one of my dearest friends in the world.

 

So I find myself thinking about the events of that year, and the great disappointment of third trimester, and Mr. McGowan’s explanation for what had happened to us. I think about it whenever a good Christian whom I respect is incredulous that I’m not prepping for the end times, as though it makes me some lesser species of Christian that I don’t have an opinion about when Jesus is coming back. I think about it when I’m sitting on the shuttle next to a man who wrote a 200-page book about the role of the nephilim in the last days that he’s trying to sell me, when I’m in a meeting with Christian counselors who are demanding that I pray out loud to accept my calling to battle the forces of the Antichrist. I think about it whenever someone on Facebook tells me they can’t wait to be martyred, that they hope they continue to laugh long after their head has been severed from their body.

 

“Boze, where do you find these people?” Bethany once asked me, the first time I recounted my story—back when the dangerous group was just forming.

 

And sometimes I listen to that song, “Lake Geneva,” by The Handsome Family, about a woman whose husband is hospitalized because he sees visions of the heavens in the stumps of falling trees:

 

“You remember how he cried

When they strapped him to the stretcher

Convinced his arms were burning

With electricity from heaven

 

“You remember how he told you

Black holes were like Jesus

And the crucifix was a battery

That filled the air with fire”

 

And I hear that and I think, isn’t that my story, and the story of our country? That we’d rather read about the mysterious code that foretells the day of judgment than lift a finger to help the teeming masses on whose treatment the nations will be judged? And aren’t we a sick society, when conspiracy theories and end-times mania, the province of the young and confused and deranged and scared, are mistaken for true worship?

 

After my last conversation with Mr. McGowan, I accepted the nature of the fantasy I had been living in. I was no prophet. I wasn’t destined for greatness. The only certain thing in my life at that moment was graduation.

 

And instead of running away from it, as I had been doing all year, I learned to accept it. I embraced my own normalcy, and in doing so I found freedom and a certain measure of happiness.

 

And at the end of May I graduated and left high school behind me. I worry that some of us are there still.

“One More Dawn, One More Day”: 3 Moments of Storytelling Brilliance

Frodo-Sam-image-frodo-and-sam-36084502-1920-800

A good story, whether in the form of a song, novel, TV series, or movie, should give the illusion that you’re experiencing something new and unprecedented. There’s a moment near the end of the story where the heroes find themselves in a unique situation facing extraordinary challenges, and the hair on the back of our necks stands on end because we know we’re witnessing the culmination of a series of choices, and if any of those choices had been different, this moment would never happened.

It’s thrilling. It gives us a rush because we know life is like that. There’s a grandeur that invests even the smallest moments because we have a dim appreciation of what it took to get here.

The following are three of my favorite storytelling moments across all media, moments where a protagonist revealed his or her true quality and the brilliance of the narrative mechanisms on display were like nothing I had seen before.
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“I made a promise, Mr. Frodo”: Fellowship of the Ring (2001)

With all the computer-effects wizardry and operatic spectacle of the later films, it can be easy to forget the promise of Peter Jackson’s first foray into Middle Earth, The Lord of the Rings: The Fellowship of the Ring. The genius of the first movie (and, to a lesser extent, The Two Towers) is that they somehow married the scale of an epic fantasy story with the intimacy of a small character drama. This was never more apparent than in the under-stated denouement of Fellowship, in which human warrior Boromir dies protecting two Hobbits after nearly betraying Ring-bearer Frodo Baggins. Frodo makes his escape by boat, thinking to finish the journey alone. But his gardener Sam Gamgee has other plans, and it’s in showing how the two of them end up together that the films have one of their best moments.

 

The Death of Krishna: The Mahabharata (1989)

The ancient Indian epic The Mahabharata, the longest poem ever written (two million words in 17 volumes), has a cast so large and a story so convoluted it rivals the Lord of the Rings, featuring demons, gods, weird monsters, vengeful reincarnations, and a magical weapon with the destructive capacity to annihilate an entire planet. But the narrative thread holding the story together (and keeping it from buckling under its own weight) is the conflict between the Kauravas and Pandavas, two halves of one family who are determined to exterminate each other.

Hovering in the background of this out-of-control family quarrel is the mysterious figure of Krishna, who for much of the story seems to be just another member of the family (albeit one who is revered by all parties), but who reveals himself, in the poem’s most famous set piece, to be more than they had ever guessed. Naturally the question arises, “If you are a god, why can’t you stop this massacre?”

Peter Brooks’ five-hour 1989 film The Mahabharata plays up the more enigmatic aspects of Krishna’s character, suggesting that perhaps there’s a more sinister agenda behind his ostensible attempts at peace-making. But the film’s best moment comes at the end when Krishna, wounded and dying, reveals that he’s just as confused and vulnerable as anyone else in the story. A young boy asks him, “Krishna, tell me quickly: why all your tricks and your bad directions?” Krishna responds with his last words: “I fought against terrible powers, and I did what I could.”

 

“One Day More”: Les Miserables (the Musical)

Victor Hugo’s sprawling, relentlessly poetic 1,400 page novel Les Miserables, which tells the story of an 1832 student uprising in Paris, boasts some of the most brilliant character arcs in literature. (The culmination of the longstanding feud between Javert, the police inspector, and Jean Valjean, the criminal-turned-mayor whom he has hunted for twenty years, deserves its own place on this list).

The musical Les Miserables takes all this plot and condenses it into a lyrical and at times devastating two-and-a-half-hour saga of war, vengeance, grace, redemption, and romance. The entire last half of the story functions as a series of climaxes. And while the tear-inducing lament of Marius on re-visiting the barricades where his friends met their grisly end is probably the emotional high point of the play, in terms of sheer narrative power, praise is owed to the entire sequence where Marius, Cosette, Eponine, and their love triangle is introduced, and especially the song “One Day More,” which takes the emotional journeys of ALL the characters, crystallizes them into a few simple verses and chorus, and reveals that in spite of their many conflicts, our heroes (and villains) have far more in common than they would ever admit.

 

Thirty Days of Poems: Dolorosa (Day 4)

          039_3888x2592_all-free-download.com_18102988  I went to a wedding today

            the second I’ve attended since

            you got married.

            You would have loved the venue:

            a small stone chapel

            almost like a cottage

            in the woods

            with a high Gothic ceiling

            and a stained-glass portrait

            of the via dolorosa

            hanging just over the altar.

 

            And the ceremony

            may have been more high church

            than what we were used to

            growing up in Texas

            but the bride processed in

            to some Elvish-sounding music

            and after the exchange of vows

            we all had communion

            and the newlyweds came in together

            bearing the grail and bread.

 

            The whole first year after

            when I heard about a friend’s engagement

            my immediate reaction

            was to try and stop it.

            It was silly of me, I know:

            not every walk down the aisle

            has a cross at its end.

            And over time

            I got better, or

            learned how to fake it.

           

            But today

            when the priest said,

            “Speak now, or forever hold your peace”

            it was hard not to think of that moment

            in your wedding

            and the silence where

            no one spoke.

 

           And when the bride and groom

           pledged their fidelity to one another

           in sickness and in health

           to have and to hold

           from this day forward

           I thought of you and him

           the vows he made to you that day

          flanked by the groomsmen

          with whom he had already

          betrayed them.

 

          One day

          a few years from now

          I’ll have my own ceremony.

          And with laughter and communion

          my friends will escort me

          into a new realm of life.

          But even amid the celebration

         there will be a quiet ache

         dull but persistent

         because of the empty space

         where you should have been

         and the marriage you never had.

Thirty Days of Poems: She’s Ubiquitous (Day 3)

05-02-2013i            She’s ubiquitous

            She wouldn’t call herself a genius

            but I know she is

            A novelist, an actress

            She’s on billboards and Broadway

            The writer, star, director

            of a one-woman play

 

            She’s pale as the sun

            as quiet as the moon

            and she doesn’t

            understand the world

 

           

            She’s ubiquitous

            she wonders what the moral of the story is

            she takes her coffee black

            she stays out past midnight

            sipping Chardonnay and reading

            N. T. Wright

 

            She’s ubiquitous

            but lately she’s been feeling nervous and listless

            She’s sick of putting up with boys

            and their pathetic grandeur

            and wishes she could meet a guy

            who understands her

 

           

            She’s pale as the sun

            as quiet as the moon

            and she doesn’t

            understand the world

 

            (and sometimes late at night

            we take that desert road

            out where the stars are street lights

            and when we hit the end of that trail

            where the dust shines like fog

            and the grass hums around us with a million voices

            I pull out my flamenco guitar

            and she dances).

 

Thirty Days of Poems: Darren and Me (Day 2)

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Darren and me

 are sitting in his apartment

 drinking rum and soda.

 

 The glow of the screen

 illuminates

 our tired faces

 as we gaze upon our heroes.

 

            “Clooney’s the MAN,” I say

            and Darren nods a little sadly.

            “I could be like him.”

 

            “Naw, bro,” says Darren.

            “You gotta get yourself a car.”

 

            “Hugh Jackman, man,” I say.

 

            “Hugh Jackman,” he avers,

            and we are quiet.

 

            *           *           *

 

            Darren and me

            we stay up talking

            eating hazel nuts and almonds

            with the clarity that only comes

            from sipping vodka

            after hours.

           

            “Dude, I gotta find myself a girl,” I say,

            “I wasn’t made to live this bachelor kinda life.”

 

             Darren says, “Well, what about Rebekah?”

          

            “Bekah ain’t interested in a guy like me.”

 

            “B. S.!” He points a shaky shot glass at me.

            “You should see the way she looks at you.”

 

            “Ain’t no one ever looked at me that way.”

 

            “Have you ever even asked a girl out?”

           

            “Dude, not if I really liked them.”

 

            Darren sits back on the couch

            and pours us both another glass of Evan Williams.

            On the TV, Louie’s eating dinner in Manhattan.

            Chicken rolls, lamb pasanda, flatbread.

            I grab another handful of pretzels.

 

            “What about you?” I ask him.

            “When you gonna find somebody?”

 

            “Some day, maybe.”

            He never takes his eyes off the screen.

            “Romance is great and all, but man,

            I got so many dreams.”

Thirty Days of Poems: Sky Canoes (Day 1)

Night_Sky_by_Ravens_Stock           ‘Not all canoes are for swimming,’

            she insists, with the casual air of one who knows.

           ‘Some canoes are for flying

          flying through rivers of starlight.

            Which is why

            when we go on vacation

            (me and mom and Kristina)

            we strap the canoe upside down

            to the top of the car:

            that way when we get out on the road

            where the sky rivers flow,

            they pick up the boat and the car

            and we soar through clouds together.”

 

            She pauses

            standing lightly on her toes

            as though reaching up towards the stars.

 

            ‘But how would that work?’ I demand

            and she blinks back her confusion.

           

            ‘It floats!’ she insists, and her arms burst like rockets.

            ‘There are rivers on the ceiling

            There are rivers in the twilight

            And the current grabs the boat

            And it and we sail off together.’

 

            ‘But it doesn’t work that way.’

           

            As I stamp out my cigarette

            she looks at me

            her mouth a perfect O

            her eyes a question.

 

            ‘Because’ I explain

            ‘If that were to happen

            you’d be floating upside down.

            You and your sister and your mom

            would fall out of the car.

            You would die.’

 

            ‘Oh.’

 

            She doesn’t say anything else

            but when I leave that night

            she wanders out into the driveway

            and with upturned face

            and quiet restless eyes

            peers through the hazy silence

            at that other world

            whose trees bend down to scrape our own

            and at the river people

            rowing the winds

            amid moonlight and starlight

            that she feels sure must be.