Buffy, Rwanda, and the Kingdom of Elsia

One of the best episodes of Buffy shows Xander having his own crazy adventure while in the background the other Scoobies battle to save the world from being destroyed by a hideous monster. We catch glimpses of their battle throughout the episode. They’re all crying and yelling at each other. At the end Buffy tells Giles he did one of the bravest things she had ever seen (but we never learn what he did).

It reminded me very much of the weekend in 2007 when our cult had to unite and battle the demonic spirit that was over Southwestern: all the feelings that come to the surface when you’re fighting an enemy that only a few people are able to see.

And then I got to thinking about… something I thought a lot about in the aftermath of that weekend: the scary things I used to see in my bedroom that weren’t normally there. Traveling out of my body was an experience very much like that of Frodo when he put on the Ring. He went into another realm and could see things no one else could. And basically, when the group started, we were all doing that.

And then I read a story about how Rwanda’s Christians are coping with the aftermath of genocide by turning to Pentecostalism. It provides them a framework for understanding the supernatural evil that was unleashed on their country in 1994. This article in Foreign Policy magazine tells the story of a young woman named Rebecca whose family was offered sanctuary in a Catholic church. It turned out to be a trap, and her parents were killed.

And then this happened:

 

Two years later, having found a home with a foster family, Rebecca made friends with a girl of her own age named Alice. One day, Alice led her into a cemetery, and there, as Rebecca tells it, the ground opened up, revealing a flight of stairs that led down into the realm of Satan. “It was a place where there was always twilight,” says Rebecca. “It was a world of bad spirits. They put an evil spirit into my body and then they sent it back out into the world.” For the next five years, she says, her body wandered the land, causing ill wherever it could. “I had the power of causing accidents on Earth. The demons gave me that power.”

It took her five years to fight her way back. She suffered terribly, she says. But one day she encountered a group of Pentecostal Christians who prayed for her release from the powers that plagued her. With their help she finally found release, and “accepted Jesus as my king.” At age 17, she converted from her ancestral Catholicism to the Pentecostal Church, a move that finally brought her “inner peace.”

 

So when I think about The Children, and invisible realms that are super-imposed on this one, and mysterious invisible objects, and the Air Loom Gang, and my own made-up kingdom of Elsia, I can see a mythology emerging. Inevitably, I think the story will have to be about four or five kids who have, or think they have, unusual powers, and who are at war with unseen forces that no one else sees. And they belong to a society of people who have these gifts. And this society believes the end of the world is imminent. And it provides a place for the kids to learn and grow up and fall in love when they’re not saving the world. And the world itself seems to be going to pieces around them, with living houses and nightmare clouds and whatnot, strange disturbances in nature. And as the series goes on they begin to question the nature of their mission, especially as friends die and the “enemy” becomes not just invisible creatures but real people. And they begin to wonder whether they really are doing the right thing, and whether they’ve been misled, and whether the world is really ending.

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Two Stories About Bells

One thing you learn in writing stories is that certain objects have a mysterious and almost magnetic power that defies words. Castles, swords, rings, goblets, buried treasure—the appearance of any one of these in a story is like a radiant stone that vibrates with its own intensity. Perhaps that’s why I became Catholic, because as a storyteller I was naturally drawn to a religion that invests material things with sacramental power: holy water; crosses; bells, books, and candles.

 

Bell towers have fascinated me ever since I saw the movie Vertigo when I was nine or ten years old. Recently voted the greatest film of all time in the once-a-decade Sight & Sound poll, Vertigo tells the story of a retired detective (James Stewart) hired to trail a young woman (Kim Novak) who may be possessed by the ghost of a long-dead ancestor. He pursues her to an old Spanish mission, the Mission San Juan Batista, where, at the very top of the bell tower, tragedy strikes. And then strikes again.

 

The understated use of Hispanic and southwestern folklore in this movie slowly worked its way into my brain, taking root in dark corners. During my first couple of months at Southwestern University, ten years ago this summer, I was enchanted by the beige limestone, the rounded-arch doorways, the old chapel at the heart of campus with a door leading up to the tower, a door that was only unlocked on the rarest of occasions. I remember being struck with a sense of the history of the place.

 

It was there that I had the idea to write a series of children’s books, books that would draw on the cultures and legends of the Celts (my ancestors) and the Southwest (my adopted home). This summer in going back and rereading some of the folklore and mythology of England I’ve been struck by how many stories center around the ringing of bells. In the days before telephones and wireless, sometimes the cathedral bell was the only means of communication between one town and another, or between the church and those in peril on the ocean’s dark waters.

 

One such story from County Surrey tells of a man, Neville Audley, who was captured fighting on the wrong side during the long-ago War of the Roses. Arrested and sentenced to die when the curfew bell tolled on the next night at Chertsey Abbey, he realized that the only hope of being spared was to obtain a pardon from the king.

 

Neville conferred with his girlfriend, Blanche Heriot, and their mutual friend Herrick. Herrick agreed to ride towards London to seek pardon. But on the next day, with only five minutes left before the bell tolled, Herrick was seen flying towards the town from half a mile away—still too far away to save Audley’s life.

 

The minutes passed. The townsfolk awaited the tolling of the bell. But the bell did not ring.

 

Just as Herrick arrived in town, the sexton, accompanied by soldiers, went up into the tower to investigate. There they found Blanche Heriot, dashed against the bell and frame but still clinging to the clapper with a tenacity born of desperation. Luckily she had hung there just long enough to save her beloved, who was spared from death by the king’s timely pardon. The two were married shortly afterwards.

 

Another story with a less happy ending is told of the tenor bell of Burgh le Marsh church. The people of Burgh le Marsh once made a living off the debris of doomed ships, lighting the beacon on Marsh Hill to lure poor sailors to their deaths. Once the sailors were all drowned and the weather had calmed, the townsfolk would scramble ashore to loot the broken vessels.

 

As the story goes, in 1629 the Mary Rose was sailing from Leith, Scotland along the Lincolnshire coast on its way to Flanders. A storm began to gather. The wind howled and the rains beat against the ship, while the people of Burgh watched from the shore with growing excitement.

 

But not everyone was pleased by the buffeting of the storm-tossed ship. The elderly sexton Guymer, when he learned what was being planned, begged them not to light the beacon. No one listened.

 

A crowd made its way towards Marsh Hill and the beacon was lit. Captain Frohock, seeing what he mistook for a lighthouse, called out to his men that they were safe. The crew turned the ship in the direction of the light.

 

Back on shore, desperate to avoid the collision that was imminent, Guymer ran towards the church. Ascending to the top of the bell tower, he grabbed the rope and rang the bell with all the strength he could muster. Captain Frohock, realizing how close he was to shore and certain death, ordered the Mary Rose back to sea, away from the treacherous sands.

 

Enraged by the tolling of the bell, the townspeople stormed into the church. Breaking down the belfry door, they found Guymer, still clinging to the rope, his dead body swaying to and fro. His heart had burst open from exhaustion.

 

When Captain Frohock returned to the village a year later and learned what had happened, he bought an acre of land known as “Bell String Acre.” He ordered that rent from the land be used to buy a silken rope for the bell. It’s said that he married the sexton’s daughter.