What Frozen Taught Me About How to Read the Bible

Elsa          Frozen is one of those movies that stay with you. I’ve been thinking about it ever since I watched it again last week. Like most people I could empathize with Elsa’s longing to disappear into the mountains, away from friends and family, free of their rules and expectations, free to quit pretending, to be me. It’s a universal feeling, one that I think we’ve all felt.

 

            I love the second verse especially:

 

            It’s funny how some distance

            Makes everything seem small

            And the fears that once controlled me

            Can’t get to me at all

           

            It’s time to see what I can do

            To test the limits and break through

            No right, no wrong, no rules for me

            I’m free!

 

            There’s something so stirring about seeing a heroine growing in confidence, casting off the constraints that have bound her and soaring through wind and sky. Haven’t you ever felt that calling, that longing to forget what everyone else tells you you have to be and just be what you have to be?

 

            And yet I don’t for a moment think the writers fully endorse Elsa’s perspective. I got to wondering how they made Frozen and was surprised to learn that initially Elsa was supposed to be the villain. But when Kristen Anderson-Lopez and Robert Lopez sat down and started writing “Let It Go,” they began trying to imagine what it would be like to be her, to carry her emotional burdens: “this concept of letting out who she is, that she’s kept to herself for so long, and she’s alone and free, but then the sadness of the fact that the last moment is she’s alone. It’s not a perfect thing, but it’s powerful.”

 

            Elsa’s self-imposed isolation is hurtful to her sister and ruinous to the kingdom. The writers aren’t encouraging this, as is clear by the end of the movie. “Let It Go” comes at a place in the movie where the heroine is just beginning her emotional journey, hurt and confused but filled with a longing to transcend her meager surroundings and be confident and powerful. But to understand what the movie thinks about all this, we have to follow that emotional journey all the way to the end.

 

            It’s a precarious balance, but I think the writers got it mostly right. Because we could so easily say, “Elsa was wrong to feel that way!” But the truth is, while her feelings may not always be what we’d want them to be, what they “should”be, they’re a part of the human experience, and that’s beautiful.

 

            We have grace for Elsa because she’s so human. And I wish we could read the Bible in the same way we watch Frozen.

 

            So many people have tried to argue with me about the meaning of the Scriptures. You see, they don’t think I take the Bible seriously enough because I have reservations about some of the scarier passages in the Old Testament, the ones about killing children (Ps. 137:9) or stoning women who are raped (Deut. 22:23-25) or slaughtering whole nations. These are the ones they demand I believe in. “If you don’t believe the whole Word of God,” they insist, “you’re a false teacher!”

 

            And it raises some interesting questions, like: Why these passages? Why does no one ever demand a “literal reading” of, “Love your enemies,” or, “If you forgive others, you will be forgiven”? Why are you making, “Destroy all that they have, and do not spare them” the hill that you die on? What does that say about you?

 

            The truth is, like Frozen, the Bible has some very human elements. Human writers and human heroes expressed things that are often not appropriate. They did not always hear God correctly, and their image of God was not always accurate. Because the Bible is a story, and in order to grasp its full meaning you have to read it all the way to the end. There’s a twist at the end of the story, and the twist is Jesus.

 

            The Psalmist said, “Happy is the one who takes your little ones and dashes them against the rocks.”

 

            Jesus said, “Let the little children come to me.”

 

            Moses said, “You shall conquer them and utterly destroy them.”

 

            Jesus said, “Put away your sword.”

 

            David prayed, “Let there be none to extend mercy.”

 

            Jesus prayed, “Father, forgive them.”

 

            In the same way our knowledge of Hans, Anna’s fiancé, is dramatically altered by his self-revelation at the end of Frozen, the Israelites’ perception of God is dramatically altered by the self-revelation of Jesus.

 

           In the first case, the one we had trusted turned out to be a villain and deceiver.

 

           In the second, the one we had feared turned out to be gentle and good.

 

           And that’s really the message of the whole Bible: we thought God was like this; but all along, he was really like this.

 

           We thought God was proud and lofty. But he was meek and lowly.

 

           We thought he would execute vengeance. But he himself was executed.

 

           We thought he would take up the sword and kill. But he took up the cross and died.

 

          It’s the greatest of all surprises—a twist like no other.

 

            But we’ll never grasp what it means unless we read to the end. You can cut up the Bible into pieces and make it say whatever you want, just as you can take “Let It Go” out of Frozen and make a compelling argument for isolation and selfishness. But the true heart of the story is found in its closing scenes, in sacrifices made and love rekindled.

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Thomas

PLWD09 The_Incredulity_of_St_Thomas_Caravaggio“Thomas, who was called the Twin, said to his fellow disciples, ‘Let us also go, that we may die with him.’”

 

The one who doubted:

that was what they called me.

No one remembered

the bravery I had shown

on the way to Bethany—

bravery or was it despair I felt

remembering the failed revolutions

the cousins murdered

Miriam straining to deliver

and dying or ere they were born,

our two sons.

 

The eddies of dust

over which our fathers walked

in ages past are trampled under

by the eagle’s talons

luxury sits grinning and contented

in the temple

making a mockery of Abraham

and Abraham’s God

The flower of youth perishes

on the hilltops of Judea

and hope is a luxury

for fools and charlatans.

 

Yet there was one who was not hopeless

Quiet and resolved

Upon his dark brow lingered a celestial light.

Though we had been abandoned by all

He had not abandoned us

And I was resolved not to forsake him

Even with the expectation of death encroaching

Death sadistic and perverse.

 

So call me not doubting

for it wasn’t my faith that forsook me

on that night in the garden

when they led him away

when they bound him to a fiery wheel

when the hounds of hell stood baying

round the tree where he hung suspended

where the crude lance entered

and his mother lay pierced at the root

 

no, it wasn’t my faith.

it was hope.

 

hope was enshrouded

and lain in a tomb

and a stone was laid over its mouth

and into the whale’s jaws

poured the blackness of darkness

and the mountains of the sea were silent.

And the serpent of death

glutted and imposing

stretched its victorious coils

round the sleeping world.

 

*           *           *

 

When they talk about me

ages hence

this is all they will remember:

the scorn on my face

when I heard they had raised him

when they said he had been sighted

walking towards Emmaus

breaking bread and disappearing

amid quiet laughter.

 

Buoyed with renewed expectation

they floated together

and I stood alone on the seashore

and the stars of twilight twinkled

as the shadows gathered round me.

 

And whenever the story is told

they’ll laugh at me for not believing

though if you had been there with us

you’d have had your questions

and they all gathered round him

and I lingered at the edges

feeling faint with confusion and sadness

as the smell of frankincense and spikenard

filled the warm spring air.

 

And when the commotion settled

and the twelve spread apart

there he was

and he motioned me forward

and it wasn’t a ghost nor a trance

he was just as alive as he had been

three days before

and I had no idea how to account for that

because I had known all along he was going to die

and the best I could have hoped for was to die alongside him.

 

But when I saw the wrists

where the wounds of betrayal burned dully

when I dipped my hand in the well

where the waters of life had poured out

when I brushed the skin of my arms

against the hair on the back of his neck

the embers of injustice blew away into nothing

and bitterness exhausted itself and was silent.

 

Years from now

when my desire is finally granted

when my blood seeps over the barbaric stones

of some desolate isle

and my body grows cold and rigid

pierced by the four lances

I’ll stretch my stiffening sinews

Breathe a final prayer

And when death comes gliding over the seas to meet me

like a ghostly mirage of one I loved long ago

I’ll follow it fearless and undaunted

through the primordial depths

where the monsters of chaos will battle

until one comes to free them

and the dust of the tomb is plundered

and the relics are gathered from the shrines

and the bones are called out of the blackness.

And I’ll gaze on myself

and on them

as we gazed on him that night

credulous but believing

not understanding but no longer doubting

and we’ll walk together, tranquil and quiet,

on the shore of the sun-rimmed sea.

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Song Friday: “Alaska” (The Silver Seas)

Silver-Seas_Alaska_coverI ran across these guys after one of their songs was used as the final song of the first season of Breaking Bad. I was inspired to listen to their whole discography, and I have to say, of all the songs I’ve heard this year, this one is probably my favorite. It’s gorgeous, sad, nostalgic, hopeful, and swooningly romantic.

And I have no idea what it’s about. Maybe someone can enlighten me.